Minggu, 30 Juni 2013

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  • Sales Rank: #6983707 in Books
  • Published on: 1984
  • Binding: Hardcover

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Jumat, 28 Juni 2013

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This edited book is a new and valuable resource for students, teachers, and practitioners, providing a detailed exploration of how qualitative research can be applied in the field of peace and conflict studies. This book explores considerations and components of designing, conducting, and reporting qualitative research in this field, and also provide exemplars of recent empirical research in peace and conflict studies that employed qualitative methods. Scholars and researchers in peace and conflict studies and peace education face unique challenges in teaching, designing, and conducting qualitative research in these fields. This edited book discusses tips in designing qualitative studies in this area and for teaching emerging peace researchers best practices of qualitative inquiry. In addition, the book discusses some of the trends, challenges, and opportunities associated with research in peace and conflict studies and peace education. Written at a level appropriate for both graduate students and active researchers, the primary audience for this book is those teaching and learning about the application of qualitative methods to peace and conflict studies, as well as those conducting research in this field. There are currently approximately 230 graduate programs in peace and conflict studies. This book also provides a useful tool for researchers and students in other academic disciplines who are interested in qualitative research. Such disciplines might include education, sociology, criminology, gender studies, psychology, political science, and others.

  • Sales Rank: #1416448 in Books
  • Published on: 2014-05-01
  • Released on: 2014-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .51" w x 6.00" l, .71 pounds
  • Binding: Paperback
  • 226 pages

About the Author
Laura Finley is assistant professor of sociology and criminology at Barry University, Miami, FL, and director of the Center for Living and Teaching Peace in Miami, FL.

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[P556.Ebook] Download ISO/TR 13387-1:1999, Fire safety engineering -- Part 1: Application of fire performance concepts to design objectives, by ISO TC 92/SC 4/W

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ISO/TR 13387-1:1999, Fire safety engineering -- Part 1: Application of fire performance concepts to design objectives, by ISO TC 92/SC 4/W

This part of ISO/TR 13387 describes one framework for the provision of an engineered approach to the achievement of fire safety in buildings, based on the quantification of the behaviour of fire and people. The Technical Report is not intended as a detailed technical design guide, but could be used as the basis for development of such a guide. It indicates the interdependence and interactions between various components of the fire safety system and provides an indication of the totality of fire safety design. It is appropriate for various alternative single or multiple design objectives.The basic principles given in this part of ISO/TR 13387, together with the guidance on detailed aspects of fire safety design given in other parts, may be applied to all types of building and their use. Principally this Part applies to common types of building such as dwellings, office buildings, department stores, schools, hotels, and public-assembly and industrial buildings, new and existing.The principles, the methodology and many of the calculation tools may be applied to the safe design of many other structures, which may or may not accommodate people, such as tunnels, petrochemical plants, offshore oil/gas installations and transportation systems (railway carriages, aircraft cabins and passenger ships).This part of ISO/TR 13387 takes into account many factors including building construction, means of escape, human factors, smoke management, detection, alarm and fire suppression and their contribution to the attainment of the fire safety objectives. It provides some alternative approaches to existing codes for fire safety and allows the effect of departures from more prescriptive codes and regulations to be evaluated.Although the emphasis in this document is on safety of life, the fire safety engineering approach can also be used to assess property loss, business interruption, contamination of the environment and destruction of heritage. It is anticipated that, in the future, this part of ISO/TR 13387 will be broadened to cover, for example, property loss, business interruption, contamination of the environment and destruction of heritage.

  • Published on: 2007-08-23
  • Dimensions: 10.50" h x .14" w x 8.25" l,
  • Binding: Paperback
  • 60 pages

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Kamis, 27 Juni 2013

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Not all racial incidents are racist incidents, Lawrence Blum says. "We need a more varied and nuanced moral vocabulary for talking about the arena of race. We should not be faced with a choice of 'racism' or nothing." Use of the word "racism" is pervasive: An article about the NAACP's criticism of television networks for casting too few "minority" actors in lead roles asks, "Is television a racist institution?" A white girl in Virginia says it is racist for her African-American teacher to wear African attire.

Blum argues that a growing tendency to castigate as "racism" everything that goes wrong in the racial domain reduces the term's power to evoke moral outrage. In "I'm Not a Racist, But . . .", Blum develops a historically grounded account of racism as the deeply morally-charged notion it has become. He addresses the question whether people of color can be racist, defines types of racism, and identifies debased and inappropriate usages of the term. Though racial insensitivity, racial anxiety, racial ignorance and racial injustice are, in his view, not "racism," they are racial ills that should elicit moral concern.

Blum argues that "race" itself, even when not serving distinct racial malfeasance, is a morally destructive idea, implying moral distance and unequal worth. History and genetic science reveal both the avoidability and the falsity of the idea of race. Blum argues that we can give up the idea of race, but must recognize that racial groups' historical and social experience has been shaped by having been treated as if they were races.

  • Sales Rank: #189397 in eBooks
  • Published on: 2015-06-08
  • Released on: 2015-06-08
  • Format: Kindle eBook

From Publishers Weekly
Media, politicians, social and political groups and individuals use the term "racism" casually and inaccurately, thereby stripping the concept of its meaning, argues Lawrence Blum in I'm Not a Racist, But...: The Moral Quandary of Race. Not all interracial difficulties involve racism, he contends, but society does not have the vocabulary to discuss racial overtones with greater subtlety. Thus people and institutions fearful of being called racist feel defensive when racial issues are raised, perpetuating the status quo of race relations. Blum (Moral Perception and Particularity), professor of philosophy and of liberal arts and education at the University of Massachusetts, Boston, asserts that only "certain especially serious moral failings and violations" merit the designation "racism." Discussing various scholarly perspectives on the construction of racial categories, Blum calls for a balance between "ridding ourselves of the myth of race" and understanding the role of race in social inequality and in history.

Copyright 2001 Cahners Business Information, Inc.

From Booklist
The term racism has been so overused that it is in danger of losing its moral significance, according to philosophy professor Blum, who argues for clearer, more precise use of the word and related terminology. Blum examines related concepts and terms --institutional racism, personal racism, racist, racist beliefs--and their interplay as he explores the moral implications of racism on a multiplicity of levels. A section on "colorblindness" is especially enlightening, given the often-contradictory use of the concept. The author surveys the history of the concept of race and its associated development with the enslavement of Africans. While he argues that "race," as we generally use that term, does not exist, racialized groups as socially constructed do, with import and consequences often associated with that term. Blum recognizes the ideal of abandoning use of the concept of race, but also acknowledges the practical need to remedy wrongs of the past and present. This is a very thoughtful work on a sensitive subject, a good and practical work for all readers interested in race relations. Vernon Ford
Copyright � American Library Association. All rights reserved

Review

"Discussing various scholarly perspectives on the construction of racial categories, Blum calls for a balance between 'ridding ourselves of the myth of race' and understanding the role of race in social inequality and in history."―Publishers Weekly



"This is a very thoughtful work on a sensitive subject, a good and practical work for all readers interested in race relations."―Booklist



"In his informative treatment of the concept of racism, Lawrence Blum is most concerned with the dangers of over-appropriation. He fears that the accusation 'racist' is now used so casually and widely that it is in danger of loosing its power to shame. . . . His is a book that can help untangle many of the individual issues that racism raises and is a most important contribution to the growing field of applied educational and social philosophy."―Teachers College Record



"Few topics are in such desperate need of clear analysis as the subject of race. . . . In this concise volume, Blum brings the precision of a moral philosopher to bear on this perennial American dilemma, with generally helpful results. . . . A fresh and important contribution to applied social philosophy, recommended for general readers, upper-division undergraduates, graduate students, and faculty."―Choice



"Blum's thoughts support his main argument: that calm, reasoned deliberation about injustices can give us the moral vocabulary we need to do better as a society."―Boston Review



"This is a useful reference for anyone who wishes to think intelligently about the problem of race."―MultiCultural Review



"This book combines clarity and compassion to an extraordinary degree, while surveying in an accessible way a vast range of thinking about race. It will be enormously useful to teachers, at both high school and college levels; it will advance the debate among those who think about race; but above all, its wide diffusion will benefit all of us as citizens of a racialized society."―Kwame Anthony Appiah, Carswell Professor of Afro-American Studies and of Philosophy, Harvard University



"In 'I'm Not A Racist, But . . .' Lawrence Blum offers answers for our time about what race is, who is a racist, and ways for people to talk about the racialized features of our society without falling into name-calling or defensiveness. With exemplary moral and analytic clarity, Blum offers educators, students, lawyers, judges, leaders, and citizens tools for building a nation of equality, comity, and respect for each person."―Martha Minow, Harvard University Law School



"Following the findings of modern science, Blum holds that (biological) races do not exist, but racialized populations do, as a consequence of the Western world's subordinating and inferiorizing other peoples as well as some of their own populations. He insightfully examines and interprets contemporary attitudes, behaviors, and beliefs about race in the United States and argues that 'race' is fundamentally a moral problem. In confronting this problem, Blum challenges us to recognize and distinguish the varied manifestations of this racialized world view, from extreme racism to racial insensitivity and ignorance, which carry different moral valences. An excellent, thought-provoking book, with powerful messages, that should be widely read."―Audrey Smedley, Virginia Commonwealth University



"This much-needed book challenges the idea that justice in a historically racist society can be achieved through a policy of race neutrality alone. Lawrence Blum shows the many ways in which racism involves more than just individual attitudes and discusses the concepts of race and racism in a philosophically insightful way. 'I'm Not a Racist, But . . .' is a most important contribution to the growing field of applied social philosophy."―Walter Feinberg, University of Illinois, Urbana-Champaign



"With an impressive combination of moral acuteness, precision of reasoning, and wide-ranging empirical knowledge, Lawrence Blum, a fine philosopher, dissects our concepts of race and racism. He argues that 'racism' has all too frequently been a catch-all label for people and conduct of many different types, and that we will gain as a society if we make many more careful distinctions; between actions and traits of character, between the acts of dominant groups and reactive actions of subordinated groups, and above all, between racism, a morally grave failing involving inferioriaztion or animosity, and other moral failings, such as racial insensitivity, race-related ignorance, and deficient appreciation of individuality. Written in a lively, clear, and accessible style, Blum's book makes a major contribution toward a style of politics that rejects mere epithets and slogans in favor of thoughtful deliberation about shared problems."―Martha Nussbaum, Ernst Freud Professor of Law and Ethics, The University of Chicago

Most helpful customer reviews

19 of 21 people found the following review helpful.
A Really Important Book
By A Customer
This book just has so much that's useful in it I forget that it's written by a philosopher; and yet everything the author says is said very carefully and is so well-reasoned. What is racism? What is race? Can blacks be racist too? These are some of the questions addressed. I really love the examples the author uses where he asks the reader to consider whether the response is "racist" or not and his references to current movies; and I don't think I've ever read a better "brief history" of race and racism. That chapter in particular is a must-read for those of us who teach sociology, psychology, or history courses in race or prejudice. His approach is so much more nuanced than most in his understanding of the social construction of race alongside his understanding that we can not forget that shared historical and social experiences mean something central to people. This book is destined to become a source that scholars and educators alike will turn to and recommend to others. Not a flash in the pan treatment of a trendy topic -- but a really important book!

9 of 11 people found the following review helpful.
Simply Superb
By David Schraub
A clear, engaging, and sophisticated analysis of America's most confounding problem. Blum outlines a progressive and compelling structure of how race works in America, how race talk is stifled, and how we overuse the term "racism." The most important thing his book adds to the discussion is not just that "racism" is an overloaded term. It's the call for a "more complex vocabulary" to deal with race. That is, in the status quo, one is either "racist" (evil) or not racist (good). This makes the definition of "racist" a scorched-earth battle, because the winner takes all. Blum argues convincingly that we should consider acts of racial insensitivity or subconscious racial prejudices to be really bad things, and work proactively to eliminate them, but should not necessarily tag them with the label of "racist". The simultanously concedes and turns the conservative objection that progressive race scholars are always "playing the race card" because it shifts the frame of debate--we need to discuss race issues, so we'll change the rhetoric we use, but we're not going to excuse bad conduct on your part just because it doesn't rise to the moral evil of slavery or Jim Crow.

14 of 20 people found the following review helpful.
An ounce of Clarity is Worth a Pound of confusion
By Herbert L Calhoun
This is a mature, if not a rather sophisticated treatment of a painful subject in a society whose reality and consciousness still rests comfortably on a "soft Apartheid-like racist" social order. Very gently, Professor Blum, a renowned philosopher, guides and clarifies as he enlightens. In the process of stripping away some of the emotion-laden baggage associated with the word "racism," he shows that even in a race-based society there is considerable room for clarity and nuance.

This is a very useful contribution, especially in the way he makes us aware of how our hypersensitivity to the way the word "racism" is used, itself continues to play an important but unconscious role in helping to maintain and protect social advantages and at the same time continues to help stifle a smooth transition to full equality between the races. This is a powerful message all by itself and is alone worth five stars.

My only complaint about the book is that there IS such a thing as "nuance overkill," -- of achieving just a bit too much subtlety. After all, the conservative ideologue, Denesh d' Sousa, in his book "The End of Racism," speaks of his own shades and nuances of the word racism. He uses the euphemisms "strategic," "defensive," and "situational" racism, with equal facility and with equal claims to a need for clarity. According to him, these are also clarifications that fit the reality of many whites - people who just coincidently also happen to be those Americans anxious to avoid having the "albatross of racism" hung around their necks.

I do believe that the word "racism" can be sliced-and-diced, peeled back, and parsed and finessed so much that it is bleached of all its affective content - and is thus rendered into an emotionless abstraction. Now tell me, honestly, whose interests does this bleaching process really serve? Do we really want to do that in a race sensitive culture?

Are we pretending not to know that on the backside of all the emotion packed into the use of the word "racism" is also built a "moral hammer." The job of that hammer is to not allow whites to remain too snug in their comfort zone of continuing to impose "the ways of racism" on the rest of us. In a real sense, it is the only moral hammer that remains in American society. It is the only thing between us becoming a neo-racist and Fascist society, and one that continues to move "ever-so-imperceptively" towards the equality the U.S. Constitution was intended to achieve.

But more than this, at some point one must sit back and "call a spade a spade." And here the double entendre is not intended to refer only to blacks, but also to whites, who continue to be sensitive to the word "racism" primarily because of the guilt it induces about their passive roles in maintaining a race-based culture.

No whites should be allowed to forget or allowed to miss the point that the word "racism" recalls how much the very idea of whiteness, (upon which most Americans identities -- and indeed the very essence of their humanity rest), continues to ride on the crest of a mostly false history that has allowed them to accumulate and store enormous "racist" advantages.

Thus the word, "racism," no matter how it is parsed, no matter how nuanced, no matter how much subtlety is added to the soup of our national discourse, will always retain a sensitive spot in the white psyche. The word "racism" cannot be further "purged" or "defanged." There is a natural end point to this process of parsing the word racism. Beyond that, the circle of re-empowering racists begins all over again.

As Albert Einstein is reputed to have once said, "we should make things as simple as possible, but not simpler than necessary." The same applies to the word "racism." Sometimes, an ounce of clarity is worth a pound of confusion. At other times, too much clarity can falsify reality in unintended ways.

Still the best book on the subject in print. Five Stars

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Rabu, 26 Juni 2013

[B757.Ebook] PDF Ebook The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece, by Eric Siblin

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The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece, by Eric Siblin

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The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece, by Eric Siblin

One evening, journalist Eric Siblin attended a recital of Johann Sebastian Bach's Cello Suites and began an epic quest that would unravel three centuries of intrigue, politics, and passion. Winner of the Mavis Gallant Prize for Nonfiction and the McAuslan First Book Prize, The Cello Suites weaves together three dramatic narratives: the disappearance of Bach's manuscript in the eighteenth century; Pablo Casals's discovery and popularization of the music in Spain in the late-nineteenth century; and Siblin's infatuation with the suites in the present day. The search led Siblin to Barcelona, where Casals, just thirteen and in possession of his first cello, roamed the backstreets with his father in search of sheet music and found Bach's lost suites tucked in a dark corner of a store. Casals played them every day for twelve years before finally performing them in public. Siblin pursues the mysteries that continue to haunt this music more than 250 years after its composer's death: Why did Bach compose the suites for the cello, then considered a lowly instrument? What happened to the original manuscript? A seamless blend of biography and music history, The Cello Suites is a true-life journey of discovery, fueled by the power of these musical masterpieces.

  • Sales Rank: #89914 in Books
  • Brand: Brand: Grove Press
  • Published on: 2011-01-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x .75" l, .65 pounds
  • Binding: Paperback
  • 336 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
The ironies of artistic genius and public taste are subtly explored in this winding, entertaining tale of a musical masterpiece. Music critic Siblin parallels short, fluent biographies of composer Johann Sebastian Bach, whose six suites for solo cello were long disparaged as minor student exercises, and cello virtuoso Pablo Casals, whose landmark recording of the pieces catapulted them into the classical canon. Their lives are a study in contrasts: Bach is an obscure workaday musician who feels wasted being merely the cantor of a Lutheran boarding school; Casals, a musical superstar and anti-Fascist exile, is a romantic hero. Siblin intertwines his own story of trying to engage with the suites. He takes cello lessons, savors a rich variety of performances, including one on the marimbas, and embarks on a search for Bach's long-lost manuscript to discover clues to the enigmatic score. (Scholars aren't even certain the suites were written for cello.) Siblin is an insightful writer with an ability to convey the sound and emotional impact of music in words. (Jan.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* A former pop-music critic, Siblin was transported to the eighteenth century when his imagination was captured by a performance of Bach’s Six Suites for Solo Cello. He embarked on a journey—part historical, part personal—to discover for himself the music that has remained a pillar of the cello repertoire since Pablo Casals recorded the suites in 1936. Siblin traveled to Leipzig looking for traces of the German composer, and to the Catalonian coast of Spain to trace the steps of the suites’ first modern master. Included in his thorough research are interviews with cellists such as Mischa Maisky and Anner Bylsma, who describe the complexities of the music and the challenges it presents to the soloist. In Siblin’s history of the composer, Bach is far from the stuffy image often applied to classical music; he appears restless, brash, and proud, occasionally landing in jail for upsetting a patron. Siblin’s writing is most inspired when describing the life of Casals, showing a genuine affection for the cellist, who, caught in the throes of the Spanish civil war and World War II, used his instrument and the suites as weapons of protest and pleas for peace. --Elliot Mandel

Review
“This is one of the most extraordinary, clever, beautiful, and impeccably researched books I have read in years. A fascinating story deftly told—and, for me at least, ideally read with Bach’s thirty-six movements playing softly in the background; a recipe for literary rapture.”—Simon Winchester, author of the New York Times best-seller The Professor and the Madman

“Vividly chronicles [Siblin’s] international search for the original, and unfound, Bach score…Mr. Siblin’s book is well researched, and filled with enough anecdotes to engage even the classical-music aficionado…but the book is best distinguished by its writing. To vivify music in words is not easy. But Mr. Siblin…rises to the task…Read The Cello Suites—preferably with their melodious hum in the background—and you will never look at a cello in quite the same way again.”—The Economist

“This is rich terrain, and Siblin’s book is an engrossing combination of musical and political history spiced with generally vivid descriptions of the cello suites themselves…[Siblin] has given us a compelling portrait of a passionate, prickly Bach, of Casals, a musician who was also politically engaged, and an engrossing cast of secondary characters. Best of all, The Cello Suites makes us want to pop in a CD and really listen to those cello suites. Awesome.”—Wynne Delacoma, Chicago Sun-Times

“A work of ever-percolating interest. Mr. Siblin winds up mixing high and low musical forms, art and political histories, Bach’s and Casals’s individual stories and matters of arcane musicology into a single inquisitive volume.”—Janet Maslin, The New York Times

“The ironies of artistic genius and public taste are subtly explored in this winding, entertaining tale of a musical masterpiece…Siblin is an insightful writer with an ability to convey the sound and emotional impact of music in words.”—Publishers Weekly

“Engaging and imaginative…a charming narrative.”—Melinda Bargreen, The Seattle Times

“The author has done a wealth of research in pursuit of his new passion, and he writes engagingly…this intrepid writer has worked hard to interest readers in his musical obsession, and there is a great deal to chew on here.”—Priscilla S. Taylor, he Washington Times

“It’s not often that one begins reading a book with mild interest and then can’t put it down, which happened to me with this beautiful book.”—Diana Athill, author of Stet and Somewhere Towards the End

“…pitch-perfect…The Cello Suites is, on all counts, a superior book.”
-QWF McAuslan First Book Prize Jury citation

“…an ambitious, carefully researched, and inventively constructed book written with clarity and verve.”—Mavis Gallant Prize for Nonfiction Jury Citation

“A delightfully quirky quest…Eric Siblin seamlessly weaves together the tale of how Bach’s lost and mostly forgotten manuscript came to be discovered a century later by Pablo Casals, and finally became Siblin’s personal passion.”—Governor General’s Literary Award Jury Citation

“A book of extraordinary charm, insight, and widespread literary appeal.”—BC National Award for Canadian Nonfiction Jury Citation

“Siblin firmly believes ‘Bach is what you make of him’—and his book represents just that…No matter what the great composer means to readers, they will surely enjoy Siblin’s fun, fast-paced journey from pop-music scribbler to Bach aficionado.”—Christian Science Monitor

“A book that will fascinate anyone who loves Bach’s music. . .engaging. . .Many of the facts woven into textual fabric glitter like metal threads as Siblin shifts the reader’s focus from one protagonist to the other. The result are rich depictions of Bach in his 18th-century milieu and Casals in his 20th-century sphere. . . The author’s colorful prose conveys substantial charm, and reveals a first-rate travel writer’s sense of place. . .sets biographical and musicological details neatly in context.”—David Lander, Stereophile

Most helpful customer reviews

75 of 81 people found the following review helpful.
A wonderful voyage of musical and personal discovery
By S. McGee
When Eric Siblin wandered into a classical musical recital one day in Toronto, he was unaware that the music he would hear would transform his life. On the program were the solo suites for cello by Johann Sebastian Bach, and Siblin, a onetime rock/pop music critic, is blown away by a kind of music he had never heard before, consciously, and might never have deliberately sought out.

This book, the chronicle of series of musical and personal journeys of discovery revolving around the Bach cello suites, is the result. It immediately appealed to me because of my own love for the music -- although unlike Siblin, I'm not a musician of any kind and unlike him, 'classical' music has always been a part of my life. But I kept reading because of my own fascination with Siblin's tale and the way he has chosen to tell it: weaving together three separate strands of a narrative in much the same way that Bach might have woven together musical themes to produce the final work. The first of these strands revolves around Bach himself; the composer's background and how the history of his compositions can be tied to his own life and experiences in a variety of German princely courts of the 18th century. The second is the lifelong love affair between the 13-year-old Pablo Casals (a future superstar cellist), who stumbled across the then almost-unknown cello suites in the back streets of Barcelona, and the music that have ended up becoming some of Bach's best-known and most-loved works. (Without Casals, the suites could have languished in obscurity, rarely played; now they are a part of the cello repertoire that most cellists aspire to perform.) Finally, there is Siblin's own quest to discover more about both Bach and Casals, as part of the process of coming to grips with his own unexpected fascination with the music.

I fell in love with this book both for the caliber of the writing (which is very high indeed) as well as the subject matter. Because Siblin doesn't stick rigidly to discussing Bach and the cello suites themselves, he doesn't get bogged down in the kind of musicological detail that would lose him part of his audience (me amongst them, despite my love for this music, of which I possess three different interpretations...) What appealed to me most is that it's the kind of book that at its heart addresses the enduring impact of great art of any kind has to fascinate its audience, whether those that seek it out (as I did) or stumble upon it (as Siblin did.) At its heart, this is the story of how a piece of music can endure over the centuries and appeal to very different people in wildly different countries and time periods, in contexts its composer couldn't even have imagined.

Definitely an early contender for my favorite book of 2010.... and highly recommended to anyone with even a passing interest in classical music or the arts. And you'll enjoy it twice as much if you listen to each section (the book is broken into sections and movements that mirror those of the cello suites) alongside the music itself.

55 of 65 people found the following review helpful.
An enthusiastic and entertaining sermon from a fresh convert
By Olly Buxton
A philosophy lecturer of mine once remarked that the recently converted make the most passionate fundamentalists. Eric Siblin, a professedly retired rock critic (I'm not sure how one "retires" from a pastime) makes a good example. Stumbling across a performance of Bach's Cello Suites some years ago, Siblin was captivated, converted, and has since leapt into the study and exploration of these narrowly (but profoundly) celebrated pieces with great gusto. (Interestingly, I could find none of Siblin's rock criticism online anywhere. I was curious to see how good it was.)

Being no more familiar than Siblin was with the Cello Suites, I bought myself a recording (Pierre Fournier's) and had it on high rotation while I read. For fellow neophytes, then, these are pieces for an unaccompanied tenor instrument that itself usually (but not always) fulfills the role of an accompaniment to a "treble" instrument like a violin. Bach's six Cello Suites span a couple of hours, and you'd be forgiven for supposing that it would be, therefore, a challenging listen. First go-round, for a non-enthusiast, it is. I must say, though, that having listened to it repeatedly over a week I find it bouncing uncontrollably - and pleasingly - around my head all day. But all the same, I don't think I'm ready to jettison Led Zeppelin just yet. There again, I'm not really the converting type.

At any rate, on account of their inaccessibility the Cello Suites were commonly supposed, for a long while, to be simply rehearsal exercises. Which is where Siblin picks up the story. He explores the Suites in an organised, contrapuntal sort of way, through three lenses, each corresponding to movements in the Suites: firstly Bach's own biography; secondly the musical and political journey of 20th century Cello maestro Pablo Casals, punctuated and framed as it was by the Cello Suites, and thirdly through his own journey, both of discovery of Bach's own music, and through his research for this book. These accounts are interwoven cleverly and playfully and in a way the Baroque master surely would have approved of: according to the structure of the six suites themselves.

The accounts themselves, however, are a little variable.

Bach's biography is patiently and interestingly unfolded. I dare say the genuine aficionado won't find much new or enlightening in Siblin's exposition, but those with a more casual interest will: I hadn't realised, for example, that Bach's life ended in relative obscurity, and that his huge body of work only gained mass appeal long after his death.

And I had never heard of Casals at all. To be sure, Siblin's framing of the Casals story was skillful and its overlay on the cello suites themselves was fascinating. It did feel somewhat wilful: sometimes one can push a construction past the point that it withstands careful examination and I suspect, in his enthusiasm to deliver a pleasing narrative, Siblin has done this. Bach's music might be famous for its almost mathematically careful structure; real life isn't like that. Siblin would have it that Casals, a Catalonian teenager, discovered a publication of the suites and singlehandedly turned the world on to them as a performance piece, and to the cello as a solo instrument. I have a feeling it might not be quite that cut and dried.

The final strand, in which the author himself features, is the weakest. Partly, this is because Siblin himself is a neophyte; he isn't trained or steeped in the classical tradition (part of his story is his attempt to overcome that by taking cello lessons) and hence he has no particular locus standi to back his wild-eyed exegesis of the music, which just winds up sounding like fodder for pseud's corner in Private Eye. It just isn't interesting hearing about a random Canadian's attempts to learn the cello or sing in a Bach Cantata.

Nor does his agenda help: Siblin goes hunting for an Anti-Semitism which almost certainly was illusory, and then has a whale of a time wrestling with the meagre evidence he does find: for example, the anti-Jewish agenda implicit in Bach's St. John Passion. But if there is such a thing, Bach certainly didn't put it there (St. John did), and by any account, including Siblin's, Bach himself had no interaction, let alone interest, in Judaism at any time in his life, most likely never having even met a Jewish person. Yet still Siblin crowbars it in, allowing a patently 20th century gloss to colour his thinking, even absurdly baulking at singing the word 'schnell' in the Cantata, presumably aggrieved at having to use a word frequently attributed to Gestapo officers in Commando magazine. But 'schnell' is simply the German word for 'fast'.

So a curate's egg: the good parts, however, make this a recommended read for a non-specialist interested in a light and entertaining vista onto one of the more challenging corners of Bach's massive oeuvre.

Olly Buxton

48 of 56 people found the following review helpful.
A good read
By tova
This book is a wonderfully crafted combination of biography, history, musicology, detective story and personal discovery. Like the Suites themselves, it has a variety of themes and moods which in the end all fit together in a most satisfying way to connect the stories of Bach, Casals and the writer's passion for the music.

It's neither a heavy tome nor a heavy read but it is nourishing entertainment

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Senin, 24 Juni 2013

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The Encyclopedia of Trading Strategies, by Jeffrey Owen Katz Ph.D., Donna L. McCormick

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The Encyclopedia of Trading Strategies, by Jeffrey Owen Katz Ph.D., Donna L. McCormick

The Encyclopedia of Trading Strategies is for traders who want to take the next step to consistently profitable trading. The authors--themselves seasoned veterans of the futures trading arena--pinpoint the trading methods and strategies that have been shown to produce market-beating returns. Their rigorous and systematic backtesting of each method, using the same sets of markets and analytic techniques, provides a scientific, system-based approach to system development...to help you assemble the trading system that will put you on the road to becoming a more consistently profitable trader.

  • Sales Rank: #96900 in Books
  • Published on: 2000-03-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.28" w x 7.70" l, 2.19 pounds
  • Binding: Hardcover
  • 376 pages

Review
"This book gives futures and options traders hundreds of innovative ways to take profits out of the market and gain an edge on every trade."

From the Back Cover
"The authors extract some sobering trading edicts the good old-fashioned way--analysis by the scientific method. Here we see the fruits of detailed and methodical research, both the long and short of it.... These results will certainly affect my own trading designs!" --Mark Jurik Editor, Computerized Trading "If you're the type of trader who wants to build his or her own systems, this book is for you!" --Murray Ruggiero, Jr. Contribuitng Editor, Futures magazine "I have known Jeff Katz for years. He has worked on a number of my projects, always exhibiting a high degree of professionalism, attention to detail, and thoroughness. The same craftsmanship is apparent throughout this book." --Robert Pardo President, Pardo Capital Limited

About the Author
Jeffrey Katz is founder and president of Scientific Consultants Services, Inc., a firm which provides custom programming and publicly available software for traders. He specializes in applying artificial intelligence technologies to trading and has developed two AI-based trading software programs, N-TRAIN and LOGINVOLVE. He has published a number of articles in Technical Analysis of Stocks and Commodities, PC II, and Neuro Ve$t Journal. He wrote two chapters in the book, Virtual Trading. He holds a masters degree in mathematics and a Ph.D. in psychophysiology from the University of Lancaster in England. He is a member of MENSA. Donna McCormick is vice president of Scientific Consultants Services, Inc. She specializes in the design of trading systems using Omega Research's products, the leading provider of system development tools in the trading industry. She has co-written several articles for Technical Analysis of Stocks and Commodities.

Most helpful customer reviews

114 of 118 people found the following review helpful.
Good principles, good start for programming systems
By Amazon Customer
The authors cover the ground of "Build a Trading Program" quite effectively. They have presented results using systems built around traditional technical indicators and their own "standard exit" method. These they use to show how to evaluate systems. This brief summary understates considerably the material presented on entries.
Differing entry techniques (limit, stop & market)are examined in the context of each "system." The reader is thus exposed to both the methodology of statistical evaluation and to "how it feels" to use this technique or that.
The authors actually start the book with an introduction to data types, availability and time frame; the bare-bones of needed statistical material; simulators (programs to simulate trading); and, optimizers and optimizing. I scanned the material, due to my own familiarity with it. It seems like good background. One point I've not seen elsewhere is the suggestion to optimize for high Student-t scores, an excellent idea.
Exits and exit techniques are dealt with, although less voluminously than entry techniques. One reason for that is the difference in amount written on the two. Everyone who wants to sell you a system, be it a book or a seminar, will emphasize entry technique. Very little has been written on exits, which are a more difficult sell. Katz & McCormick have presented the basic categories of exits. While "basic categories" doesn't sound like much, it is more than I can recall appearing elsewhere in print. These categories are the building blocks for the second most important part of a system: exits. (More important is money management.) Here, as throughout the book, C+ code is included, allowing one to implement one's own approaches.
Another section, also with code, is use of genetic algorithms in system design. This is one of the best sections on GA's in trading that I've seen. It is not exhaustive (thank heavens) but will get you started without forcing a reading of Goldberg's text on GA's. Another departure from the norm is a short presentation of using GA's to optimize for the elements of the system, not for the actual output, a superior idea.
As the authors point out, exits are far more important than entry. A test system I wrote recently entered almost randomly after it had determined volatility was sufficiently high. Although not sophisticated, the exits were other than random. Although less than 20% accurate, it produced very substantial profits. Actual implementation is a bit trickier; real markets don't always provide the smooth entry and exit of systems testing. Be that as it may, the essential point remains: exit and money management are where the profits are. Entries are for seminar junkies and would be traders.
If trading is what you want to do, and computer-driven systems are what you will use, this is a book that you should read. It is the best I've seen (and I've seen a few). The other pieces to the trading puzzle are psychology (Ruth Roosevelt) and money management (Ralph Vince - not perfect, but a necessary read).

64 of 65 people found the following review helpful.
Indispensable for automated trading system builders!
By Dr. Gavin R. Ferris
Most books on trading assume either that the reader never got to college, or else that they never left. This one, however, is different, rapidly bringing the technical but non-specialist reader up to speed in the principled construction of automated trading engines.
If you have a reasonably numerate background, perhaps with some software development experience, and have found yourself drawn to the concept of constructing your own mechanical trading system, you owe it to yourself to read this text. Quite simply, it is superb. The authors begin by describing the core components of a sound system, including the application of statistical inference and the selection of appropriate sample sets for back-testing. They then go on to provide a set of normalised comparisons of various trading 'rules' for entry and exit (e.g., breakouts, MAVs, oscillators, neural net predictors, etc.) together with discussion of optimisation systems (such as simulated annealing and genetic refinement). The actual results of some 'respectable' rulesets you may find rather shocking! And if you are only dimly aware of what genetic algorithms can offer the modern trader, you should buy this book for that reason alone.
The style of the text is clear and unstuffy, with chapters of readable length and well-structured content. The reader who wants to learn more will find this book an ideal jumping off point, since many references to the literature are provided, but an excessive technical background is not assumed, and the work is for the most part self-contained.
The only minor issues are 1) the title is a somewhat misleading; you will not find an A-Z list of trading strategies here, but rather a more select discussion of the techniques (and the validity of certain *classes* of strategy) involved in building viable automated trading systems; and 2) there is some ugleeee typesetting of mathematical formulae in Fortran (!). However, neither points really count for more than nitpicking in contrast to the value of the text overall.
In summary, there is real content here - described and justified, if you are an engineer like me, through the sort of scientific analysis and rigour that creates more excitement than a million words of hype. Fed up with TradeStation? Writing your own system in C++? In need of a bit of inspiration and guidance? If this sounds familiar, you want this book, believe me.
IMHO, it's a classic. Buy it.

86 of 90 people found the following review helpful.
A Complete Insight Into Encyclopedia of Trading Strategies
By Tradingmarkets.com
The Encyclopedia Of Trading Strategies provides a solid foundation for developing the skills and knowledge base to develop one's own set of quantifiable trading rules and for developing a reliable trading "system."
The book begins laying the foundation with a description of the tools necessary to construct a system. Data -- the cleaner, naturally, the better -- is the point of departure. A discussion of simulators -- software that allows you to simulate trading -- ensues and walks you through the mechanics of interpreting output and determining their reliability and power.
A discussion of optimizers, or tools that find the best possible solutions to a problem follows, critically describing the major types of optimization and products available and how to achieve success, or failure, in their implementation.
Statistics for systems analysis are the next tool detailed. Without statistics, there is no way of knowing whether the profits (or losses) resulting from a tested system are real, an artifact of sampling or chance.
With the tools required for systems testing in place, the book launches into the discussion of its primary focus, the study of entries and exits. Ultimately, and deceptively simply, a trading system is nothing more than a system of entries and exits (at a profit or at a loss).
The Encyclopedia of Trading Strategies is something of a misnomer in that the title leaves the impression that one will find a catalogue of trading strategies and methods that the reader can scrutinize to extract specific techniques and use as a reference guide. In fact, the book provides the framework and background-knowledge necessary to design, test and analyze one's own trading system and could have as easily been dubbed A Primer On Developing Trading Systems.

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Jumat, 21 Juni 2013

[Q973.Ebook] PDF Download New Georgia: pattern for victory (Ballantine's illustrated history of the violent century. Campaign book), by Dick Crofton Horton

PDF Download New Georgia: pattern for victory (Ballantine's illustrated history of the violent century. Campaign book), by Dick Crofton Horton

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New Georgia: pattern for victory (Ballantine's illustrated history of the violent century. Campaign book), by Dick Crofton Horton

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New Georgia: pattern for victory (Ballantine's illustrated history of the violent century. Campaign book), by Dick Crofton Horton

Ballantine series about the New Georga Campaign in WWII

  • Sales Rank: #1504083 in Books
  • Published on: 1971
  • Binding: Paperback
  • 160 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
An outstanding introduction to this complex battle, in which the wars of espionage and battlefield meshed to bring victory
By Kiwiwriter
McDonald Publishing and the Imperial War Museum teamed up back in the late 1960s and early 1970s to publish this tight series of illustrated paperbacks on the history of World War I, World War II (and a few other conflicts of the 20th century), which were picked up by Ballantine in the United States. They were all divided into subjects: battles, campaigns, weapons, war leaders, politics in action, human conflict, and regalia, by color bands on the bottom, enjoying common editing and artwork, and a fairly common collection of well-known historians. They cost $1 at the time (a good deal of money) and a lot more now (being out of print).

The series as a whole is slightly outdated by the disclosures from Allied codebreaking, and suffered from being whipped together in a hurry, but they remain then and now a fine introduction to conflict in the 20th century -- if you can find them.

Dick Horton writes this book with two eyes: that of a historian and that of a participant. He was one of the Coastwatchers whose intelligence contributions to the campaign were critical for victory.The campaign was fairly complex -- US Army and New Zealand (and Fijian) forces driving up and through ghastly jungle-covered islands towards their objective of Rabaul on New Britain, battling Japanese defenders and malarial swamps.

Like Guadalcanal, the New Georgia campaign was fought in three dimensions, but this time the Americans did a better job -- technology, training, and tactics were increasingly equal or superior to those of Japan's, and the Japanese were starting to feel the pinch of many shortages. The Americans realized they did not need to take Rabaul to achieve their objective, but leave it withering on the vine, setting the pattern for the "island-hopping" of the rest of the Pacific war (hence the book's subtitle).

With 175 pages to tell the tale, Dick Horton has to focus on the larger pictures and colorful incidents, and maps of the key naval battles would have been useful. He devotes an entire chapter to the best-known story of the campaign -- Lt. John F. Kennedy and PT 109 -- and the photographs of the grim fighting and grimmer results are quite shocking. The US military makes a major effort to record its wars in print and photograph.

Overall, this book is an outstanding introduction to this complex battle, in which the wars of espionage and battlefield meshed to bring the Allies a major victory.

0 of 0 people found the following review helpful.
Five Stars
By Leslie Hulkower
AAAAA++++++++

0 of 0 people found the following review helpful.
Four Stars
By jam-bx
great military history series; I wish someone would put the series back in print

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